Sunday, October 30, 2011
Whenever a holiday rolls around, I always try to match a work of art to it, the way a sommelier tries to match a fine wine to a meal. Halloween led me to a quest for the scariest painting of all time? What sends chills and thrills up your spine just by looking at it on a museum wall? Fright, like beauty, is in the eye of the beholder, of course, but I think I’ve come up with a pretty good contender for the scariest, the Halloween-iest painting of them all. Please come over to Picture This at Big Think to read more of "Is This the Scariest Painting Ever?"
[Image: Arnold Böcklin. Isle of the Dead, 1880. The Metropolitan Museum of Art, New York, NY. (Image source.)]
Wednesday, October 26, 2011
“I don’t have students,” Man Ray allegedly told Lee Miller when she finally tracked the Surrealist down in a Parisian bar after he eluded her visit to his front door looking for tutelage. Miller became Man Ray’s student, then his lover, then his muse, and, eventually, as Man Ray/Lee Miller, Partners in Surrealism, a new exhibit at the Peabody Essex Museum, argues, his equal partner. A victim of her own beauty (her husband, artist Roland Penrose, compared meeting Lee for the first time to being “struck by lightning”), Miller continues to toil under the label of “muse” that diminishes her own artistry. This exhibition lifts that label and strikes you with the lightning bolt of realization that Miller and Man Ray developed a deep, profound relationship on multiple levels—artistic, emotional, and philosophical—that we’re still trying to understand. Please come over to Picture This at Big Think to read more of "Can Lee Miller Ever Be More than Man Ray’s Muse?"
[Image: Man Ray (1890–1976); A l’heure de l’observatoire–les amoureux (Observatory Time–The Lovers), 1964, after a canvas of c.1931; Color photograph; 19 5/8 x 48 3/4 in. (50 x 124 cm); The Israel Museum, Jerusalem; © 2011 Man Ray Trust/Artists Rights Society (ARS), New York/ADAGP, Paris/ Photo © The Israel Museum by Avshalom Avital.][Many thanks to the Peabody Essex Museum for providing me with a review copy of the catalog and other press materials related to Man Ray/Lee Miller, Partners in Surrealism, which runs through December 4, 2011.]