Showing posts with label Polke (Sigmar). Show all posts
Showing posts with label Polke (Sigmar). Show all posts

Sunday, September 16, 2012

Should the Old Masters Give Way to the New Ones?


Perhaps the one unavoidable fact all museums must face is the reality of limited space. Who stays? Who goes? Most importantly, who makes those decisions? In Germany, these questions have taken on a whole new degree of importance. The Gemäldegalerie—home of Berlin’s most prestigious Old Masters’ collection, with works by Vermeer, Rembrandt, Dürer, Jan van Eyck, Raphael, Titian, Caravaggio, Rubens, and others—faces a move to another, smaller location to make room for the expansion of the Neue Nationalgalerie, where masterpieces by some of the biggest names of 20th century art will be displayed. Germans seem split between those who want their Rembrandt (shown above, in his 1630 etching Self-Portrait with a Cap, Openmouthed) right where he’s been and those who would like to see Germany finally to have a world-class modern art museum. As other museums and countries eventually face this same problem, we’ll all have to ask if the Old Masters should give way to the new ones? Please come over to Picture This at Big Think to read more of "Should the Old Masters Give Way to the New Ones?"


[Image: Rembrandt. Self-Portrait with a Cap, Openmouthed (detail), 1630.]

Sunday, June 13, 2010

Polke Dots: Remembering Sigmar Polke


When Sigmar Polke’s family crossed over to the freedom of West Berlin from the oppression of East Berlin on the subway in 1953, 12-year-old Sigmar feigned sleep to add to the picture of normalcy for his fugitive family. Polke (pronounced “polka,” like the dance), who passed away last Thursday, feigned many things during his life in his art, but usually to question the idea of normalcy, especially the rushed, forced normalcy of his native Germany after World War II. With a smile on his lips, Polke never slept through an opportunity to poke fun at the establishment—artistic, social, or political—and help people connect the dots, usually closely spaced, between apparent normality and absurd abnormality. Please come over to Picture This at Big Think to read more of "Polke Dots."

[Image: Sigmar Polke's "The Goatwagon" (1992).]