Wednesday, March 18, 2015
“Starf@#king”?: Björk at the MoMA
It’s hard to remember a major show at a major American museum generating so much angst as Björk at The Museum of Modern Art, New York. Some arts sites quickly began aggregating art critics’ aggravation over almost every detail of the show.
What began as art criticism evolved into a media lynching of the MoMA,
American museums, and pandering-to-the-public curators (in this case, Klaus Biesenbach). New York art world critics, and husband-and-wife team, Jerry Saltz and Roberta Smith hated the show in different ways, but both connected to their love of Björk and her music. ArtNews’ M.H. Miller
wins the poison pen prize, however, for coining the new critical term
“starf@#king” to describe the MoMA’s treatment of Björk as much as its
treatment of the viewing public. The question of whether Björk is good or not might really be a question of what Björk is really about. Please come over to Picture This at Big Think to read more of "“Starf@#king”?: Björk at the MoMA."
Labels:
Big Think,
Bjork,
Book Review by Bob,
Critics,
MOMA,
Music and Art
Monday, March 2, 2015
Andy Warhol’s Masturbation Metaphor
In a 1977 interview with Glenn O’Brien for the marijuana lifestyle magazine High Times, O’Brien asked Andy Warhol
if his teachers recognized his early “natural talent.” “Something like
that,” Warhol responded with his characteristic unconventionality,
“unnatural talent.” Warhol’s “unnatural talent” quip alluded not only to
his mass-produced, machine-like paintings of soup cans and silk screen
portraits, but also to his sexual orientation—the “unnatural” life of a
homosexual. Just as Warhol turned that verbal double play, art scholar Michael Maizels tries to touch those two bases of Warhol’s art in “Doing It Yourself: Machines, Masturbation, and Andy Warhol” in the Fall 2014 issue of Art Journal. For Maizels, the way that Warhol made art reflected the way Warhol lived his life as a homosexual male in late 20th century America. When we look at Warhol’s art, Maizels suggests, we
should see not just a critique of commercialized society and its art,
but a critique of that same society’s sexual tolerance. Please come over to Picture This at Big Think to read more of "Andy Warhol’s Masturbation Metaphor."
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