Tuesday, March 4, 2014
Was Louis Armstrong the First Great American Modernist?
“Master of Modernism and Creator of His Own Song Style” read the posters for Jazz trumpeter and singer Louis Armstrong
when he appeared in Memphis, Tennessee in late 1931 at the end of a
decade of development that saw him take the raw talent spawned in his
hometown of New Orleans and spread it across all of America, bringing
not just jazz, but modernism itself to both black and white audiences.
In Louis Armstrong, Master of Modernism, musicologist and Duke University professor Thomas Brothers traces the trajectory of Armstrong’s rise against the backdrop of the racial and cultural divisions of early 20th
century America. Brothers takes readers deep inside the art of
Armstrong and dismisses both the myth of Louis’ naïve, unlearned talent
and the criticism of Louis’ sellout to white tastes with the ease of the
master hitting a high note. In Louis Armstrong, Master of Modernism,
Louis Armstrong emerges not just as the founding father of jazz (and
all American popular music that follows in its wake), but as the first
true modernist of American art. Please come over to Picture This at Big Think to read more of "Was Louis Armstrong the First Great American Modernist?"
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