William Mortensen: The Anti-Christ of American Photography?

Photographer Ansel Adams, whose beautiful black and white landscapes full of mountains still grace both museum and office walls, called fellow photographer William Mortensen “the anti-Christ” for what he did to the art of photography. Mortensen inspired a great passion in his near-contemporary Adams thanks to the Pictorialism of his images, whose illusions and painterly gestures offered a devilish alternative to Adams’ “straight,” realistic photography. In the exhibition William Mortensen: American Grotesque, which runs through November 30, 2014 at Stephen Romano Gallery, Brooklyn, NY, Ansel Adams worst nightmare comes true, as his personal “anti-Christ” rises from the grave of unfair neglect to collect fresh converts to the eerie beauty of his decades-before-their-time artistry. Please come over to Picture This at Big Think to read more of "William Mortensen: The Anti-Christ of American Photography?"