Wednesday, September 11, 2013
How (and Why) to Remember 9/11
This year’s incoming class of college students were born in 1995, making them 6 years old when the United States was attacked on September 11, 2001.
In a few years, first-year college students will have little to no
memory of the “day when everything changed.” For those of us who
witnessed those events as adults, the memories feel as close
as yesterday: the confusion of initial news reports, the nationwide
scramble for some semblance of safety, the seemingly endless television
coverage, all capped off by then-President George W. Bush’s address to the nation that evening. On the 12th anniversary of 9/11, the questions of how to remember and why we remember still hold us. The Stories They Tell: Artifacts From the National September 11 Memorial Museum
by Clifford Chanin and Alice M. Greenwald helps us consider possible
answers to those lingering questions. As Greenwald writes, “The Memorial
Museum is defined by four key commitments: preservation, commemoration,
education ,
and inspiration.” Somewhere within those four “commitments” each of us
can find our own form of commitment as to how (and why) to remember
9/11. Please come over to Picture This at Big Think to read more of "How (and Why) to Remember 9/11."
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Art can certainly benefit other disciplines, and design-based art tuned toward creating usable and innovative technologies and products is a good thing. But we also need to preserve art for art’s sake. These two styles of arts education inform each other.
Art
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