“My pictures are like a family, each one has a special niche in my heart,” renowned art collector Chester Dale once said. “Does anyone ever place a dollars-and-cents value on a son or daughter? If they do, they don’t deserve them.” With his first wife Maud, Dale amassed perhaps the greatest collection of French art from the Impressionists to the Modernists. Upon his death in 1962, the childless Dale left his most lasting legacy—his collection—to the National Gallery of Art in Washington, DC, with two conditions: one, that they be displayed together in a gallery bearing his name; and two, that the works never be loaned out. He wanted his family kept together forever. The NGA’s new exhibition From Impressionism to Modernism: The Chester Dale Collection is truly a family affair. Please come over to Picture This at Big Think to read more of "All in the Family."
[Image: Salvador Dalí, Chester Dale, 1958, oil on canvas. Overall: 88.8 x 58.9 cm (34 15/16 x 23 3/16 in.); framed: 111.7 x 81.3 x 6 cm (44 x 32 x 2 3/8 in.). Chester Dale Collection.]
[Many thanks to the National Gallery of Art in Washington, DC, for providing me with the image from and catalog to From Impressionism to Modernism: The Chester Dale Collection, which runs from January 31, through July 31, 2011.]
1 comment:
Thanks for posting this - I've just found your site and have been enjoying browsing thru it. Must admit I'd never heard of Dale (or scene this portrait of Dali, sans moustache). I'd imagine the gallery is pretty empty today except for a few art lovers on snowshoes.
Suzanne
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