"I had to create an equivalent for what I felt about what I was looking at,” Georgia O’Keeffe once said of her abstract works, “not copy it." Famous for her images of flowers, shells, animal bones, and other recognizable objects, O’Keeffe also ventured into the world of abstraction, often pushing the envelope of representation beyond the identifiable but still remaining tethered, however distantly, to the real world. Georgia O'Keeffe: Abstraction at the Phillips Collection explores just how undervalued O’Keeffe still is today as a groundbreaking figure in American abstract art. Please come over to Picture This at Big Think to read more of "Abstract Thoughts."
[Image: Georgia O’Keeffe, Music, Pink and Blue No. 2, 1918. Oil on canvas, 35 x 29 1/8 in. Whitney Museum of American Art, New York. Gift of Emily Fisher Landau in honor of Tom Armstrong, 91.90 (CR 258). © Georgia O’Keeffe Museum/Artist Rights Society (ARS), New York. Photograph by Sheldan C. Collins]
[Many thanks to the Phillips Collection for providing me with the image above and for a review copy of the catalogue to the exhibition Georgia O'Keeffe: Abstraction, which runs through May 9, 2010.]